Bad Assembly in their own words:
“We are small in size and we see this as an unique advantage. We accept a limited number of projects, giving each our complete attention. Our size also allows us to comfortably adapt to the culture of our clients, and become an extension of their team. We push for original thinking. We’re about producing compelling work that adheres to only the highest standards.”
UK based Steve Wilson takes the spirit of 80’s New York, combines rock imagery from the 70’s, and squeezes it through a brain full of circuses and tribal body art, among other things. This is super hot and you can’t afford to pass it up. Just go!
Boris Schandert, aka BOODAS, is a Graphic Designer and Typographer from Munich, Germany. He is working on a couple of great new font types as well as his own online apparel store. Boris was recently featured in the March edition of Computer Arts. Check out his great work.
Blind n
1. a conceptually driven multimedia design studio and full service production company.
2. able to take a project from inception to completion, without limitations.
3. constantly challenging ourselves to develop great images and unforgettable visuals for our clients.
4. an open collaborative environment of experimentation and exploration.
Virgilio Santos and Nedjelco-Michel Karlovich form the dynamic duo known as Santos and Karlovich. To read more about how these two met and got started, see the previous post, Breed Magazine for an interview!
Breed Magazine Volume 8 just hit the hard drives. Tons of fresh photo illustration works and great interviews, including a short talk with designers Santos & Karlovich that you can’t miss!
Check out Digital Systm, the work of Icelandic graphic designer and branding king, Siggeir Magnus Hafsteinsson. Sig’s also got a great collection of his favorite pieces on his Flickr page too. Shaka!
Established in 2001 by Michael C. Place, Build has since forged an international reputation as a forward-thinking Graphic Design studio with an exceptional eye for detail and a sense of style that transcends popular trends of graphic design.
This Studio was founded by David Bennett, who keeps it real with some straight-up graphic design that fills the screen on this clean palette of a site. Recent work involves close collaborations with architects, artists, curators, and photographers.
The name Hillman Curtis sparks a lot of interest in many people. We think it's because Hillman is a working example of what is possible in this industry (with a lot of hard work, of course). Hillman has successfully opened his own design studio, HillmanCurtis.com, published several widely popular books, has spoken at a variety of major design events, is considered an expert of the interactive media - winning numerous awards - and is a self-taught filmmaker, slowly capturing the lives of some of the greatest creative thinkers to live. Hillman has "done it all" by the standards of most.
But who is Hillman really? What's the drive behind it all? Why is the name "Hillman Curtis" synonymous with amazing graphic design and talent? We spoke with Hillman to get his opinion on the matter.
Hillman Curtis: I wanted to design a site that was as simple as possible and open. I wanted it to focus on the film work but not shroud the site design and books. We're still very much involved in interactive, but my focus is on creating films for the web - personal and commercial. As far as a silent launch; I'm not as interested in writing up press releases these days...
HC: Yes...just now getting a bit more time for the personal projects and part of that comes from redefining priorities: I used to give lectures at conferences 20 plus times a year and I was writing the books and magazine articles. Clearing out the heavy lecture schedule and books gives more time for family and the scripts/films.
HC: We've always been a ten or less person firm...all designers. When someone hires me, they get me (and a really good team)
HC: Up early, make breakfast for the kids, ride the bike through Brooklyn to the office, spend the first half of the day with emails, interviews like this, video transfers and reviews, design reviews, organizational tasks, client reviews and meetings. Stop for lunch, get an afternoon espresso and hit the editing or design work until 6:30. Bike home. This all changes when we have a shoot.
HC: New Media?...I haven't really given that title much thought recently. I think you are right ...it's not so new anymore. Maybe online media is better. I don't really do a lot with Flash these days, mainly prototyping interactive tests for larger css/javascript sites. That said I'll always be a proponent of Flash and a fan. My thoughts on the internet are still excited ones; I still am grateful to be involved in the most relevant medium of our time.
HC: Moments. I want to create these personal and emotive moments with the characters or the scene. I try to make them thematic but also leave them open. That gives the actors, or in the case of the Artist Series, the subjects a chance to tell me - through their performances and actions - what the film should be about. And I love trying to capture the lyricism of composition and movement.
HC: I have a crew now. I used to shoot all of the Artist Series by myself...but thankfully I found a group of first rate collaborators.
HC: Sometimes it makes the film...other times it's a mistake to use it. The whole idea of sound, capturing it during the shoot, and using music and effects is so hugely important and yet so easy to neglect at times...it's something I try very hard to get right.
HC: Yes. I have a big step I am trying to take right now which is to move into longer form filmmaking.
HC: No...it's all about scripts and filming right now.
HC: Wife and kids, without a doubt.
HC: It can never be one thing. There's the big answer; being a good husband and father, and growing older while remaining passionate and relevant. Then the global answer, which involves wanting to create work that improves ones outlook on life and the world... and then there's the professional answer; making movies...a feature film specifically. It's in that order for me.
HC: I'm working on a very cool start up in Hong Kong. And there are new films we've shot and are now editing, and in September I'm scheduled to shoot a longer film...just have to finish the script!
Like what you see?
All works above are produced by and copyrighted by Hillman Curtis.
To view more of Hillman's work, please visit his website at www.hillmancurtis.com. To purchase Hillman's books visit
Books/Merchandise section of his website.
Incorporate true stories of sex and death into an amazing piece of art.
Deadline: July 23, 2008
Honoring the creative excellence of smaller agencies and companies worldwide.
Deadline: August 1, 2008
‘If You Could’ have teamed up with G&B Printers to bring you the ‘If you could do anything tomorrow, what would it be?’ Diary.
Deadline: August 11, 2008
The Pixel Awards take a fresh look at the best on the web in over 20 categories, with only 20 winners.
Deadline: August 22, 2008
Transmittals in the categories of illustration, animation and bookart will be appraised.
Deadline: August 31, 2008
Enter your music, film/video and art. This contest is meant to support a new generation of musicians, film-makers and artists.
Deadline: September 1, 2008
Enter your work in the HOW International Design Awards and join the ranks of award-winning designers from around the world.
Deadline: September 1, 2008
The aim of the competition is to discover fresh creators and support them, Shift provides a platform to show works using a calendar as a medium.
Deadline: September 10, 2008
Re-design the mascot for NI-Limits and win $300USD, blog recognition and a possible job position.
Deadline: September 30, 2008
Get featured in the only design annual that interviews all 100 winners. Winners will appear in the 2009 STEP 100 annual, available on newsstands March 2009.
Deadline: October 1, 2008
Any project created on YUPO synthetic paper is eligible. Submissions should make full use of YUPO paper's quality and attributes, and be aesthetically pleasing.
Deadline: October 15, 2008
Any interactive project created for digital distribution on the World Wide Web, CD-ROM, interactive kiosk or handheld device is eligible.
Deadline: January 16, 2009
Know something we don't? Tell us about a design-related competition that you think our readers might like and we'll show it here!
Galiano Island, Canada
August 3-8, 2008
Galiano Island, Canada
August 10-15, 2008
Auckland, Auckland, NZ
August 15-16, 2008
San Francisco, California, USA
August 18-19, 2008
San Francisco, California, USA
August 20-22, 2008
Brighton Dome, UK
September 5, 2008
Chicago, Illinois, USA
September 10-11, 2008
Madrid, Spain
September 12-13, 2008
Cambridge, MA, USA
September 27, 2008
New York City, New York, USA
October 23-25, 2008
New York City, NY, USA
Spring 2009 (TBD)
Know something we don't? Tell us about an event that you think our readers might like and we'll show it here!
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